I'm a Katie Couric wannabe. She has great hair. She's smart. She's famous. And everybody loves her. Thanks to Eileen Cook, author of UNPREDICTABLE, who has good-naturedly agreed to answer a bunch of inane questions, today is my Couric day.

Oh wait, a short commercial before we start. If you want the chance to win a copy of Eileen's brand new ultra hilarious romantic comedy, UNPREDICTABLE, (and who wouldn't?), comment on today's or yesterday's post on this blog or on today's or yesterday's post on Eileen's blog or, for double the chance to win, on BOTH blogs. Alright then, freebie book business out of the way, let's go straight to the interview extraordinaire.
Do you outline before starting a book?
I'm a fly by the seat of my pants writer who secretly wishes she was a plotter. I have plotter envy- it goes well with my office supply fetish. I love the idea of binders with color-coded tabs and Post it Note flags. Instead I practice the time-honored tradition on beating my head on the desk until the story falls out. I am attempting to do more outlining, but it remains to be seen if these outlines provide me with a map or just a nice reminder of where I thought the book would go back before the head beating began.
I’ve met writers that do detailed 100 pages plus outlines with binders for all the main characters and writers who start with Chapter One and see where the story goes from there. I saw John Irving (author of A Prayer for Owen Meany) speak and he likes to write by starting with the end and working backwards. Sometimes new writers want to know “what works” and it is a tricky answer as what works for one person will completely block another. You have to find your own way into your story.
Are you part of a critique group?
I used to belong to a writer’s group that met on a monthly. Eventually due to people’s schedule the group disbanded. I now belong to an online writer’s critique group where we post scenes. I also use a group of early readers made up of both writers and readers to critique my draft. When I have a manuscript ready to go I pass it out to all of them and collect their comments before heading into the final revision stage.
In addition to getting feedback, I think it is important for writers to give feedback. It can sometimes be easier to pick apart someone else’s writing, looking at what works and what doesn’t work because you aren’t involved in the story. Once you can see it in someone else’s writing it is easier to look at your own and see if you are guilty of the same mistakes. If you don’t have a regular group of writers that you meet with I often suggest people pick a favorite book and a book they disliked and go chapter by chapter looking at what happens in each scene, what’s the conflict, if they liked it why, if they didn’t why? I have them highlight lines that they liked or places where they felt the story was dragging. One thing that excites me about writing is how much there is to learn. No matter how long you’ve been writing there is always a way to improve. I’m a bit geeky this way.
You are absolutely hilarious. Were you the class clown?
My parents are both funny so it may be genetic. Growing up I was mortified at my parent’s jokes and I’m pretty sure during my teen years I tried to ban them from talking at all when my friends were around.
I was a bit too shy to be the class clown, but I’m pretty sure my close friends saw me as the clown type. I’ve always tended to see things from a different angle that tends towards the humorous.
So, how'd you land Rachel Vater as your agent?
While writing Unpredictable I picked up a copy of Writer’s Digest that happened to have an interview with Rachel. I don’t recall what she said, but I remember thinking “she’s perfect for me!” I stuck the article on my bulletin board (complete with her picture) and whenever I found myself blocked I would remind myself that this fabulous agent was waiting for my masterpiece even though we had never communicated. Inside my head we were already a mean, lean writing team. I knew I wanted an agent I could connect with and who would take a career building approach to my writing.
When I finished the book I sent off a query to Rachel. I was prepared to send it out to a long list of agents if needed, but she was my top choice. People are sometimes surprised when I tell them that I didn’t have any connections or family in the business. I was a slush pile find. I can’t imagine going through the publishing process without a strong agent in your corner and Rachel has been the perfect business partner for me.
What are you working on now?
I recently signed a contract with Simon Pulse (Simon and Schuster) and am really excited to be working on some young adult novels. I always loved reading and in the past couple years have started to read all the great stuff coming out these days in the young adult and middle grade market. I love Meg Cabot and would run away in a heartbeat to be her personal assistant if she would have me.
The other area that I’ve tried out recently is writing screenplays. I’ve always been a huge movie buff and when Unpredictable was optioned by New Line I wanted a chance to write the script. For some reason the studio didn’t want someone who had never written a script before to do the job- go figure. I took some classes and am really interested in how the format is so different than novels. Scripts have to be much tighter as you typically only have 90-120 pages and the story has to be told in all action and dialog.
What is your favorite cookie?
I can pick just one favorite? Of course I am coming off the post Christmas cookie butter and sugar hangover where I made all the cookies that you never make any other time of the year.
If had to pick one favorite I would go with the traditional standby of chocolate chip. I add a touch a cinnamon in mine as the secret ingredient. Shhh don’t tell anyone.
Happy Valentine's Day, Eileen! We wish you loads of Belgium chocolate (yes, we know you love it), wheelbarrows full of chocolate chip cookies and, most of all, great big humungous book sales!

Oh wait, a short commercial before we start. If you want the chance to win a copy of Eileen's brand new ultra hilarious romantic comedy, UNPREDICTABLE, (and who wouldn't?), comment on today's or yesterday's post on this blog or on today's or yesterday's post on Eileen's blog or, for double the chance to win, on BOTH blogs. Alright then, freebie book business out of the way, let's go straight to the interview extraordinaire.
Do you outline before starting a book?
I'm a fly by the seat of my pants writer who secretly wishes she was a plotter. I have plotter envy- it goes well with my office supply fetish. I love the idea of binders with color-coded tabs and Post it Note flags. Instead I practice the time-honored tradition on beating my head on the desk until the story falls out. I am attempting to do more outlining, but it remains to be seen if these outlines provide me with a map or just a nice reminder of where I thought the book would go back before the head beating began.I’ve met writers that do detailed 100 pages plus outlines with binders for all the main characters and writers who start with Chapter One and see where the story goes from there. I saw John Irving (author of A Prayer for Owen Meany) speak and he likes to write by starting with the end and working backwards. Sometimes new writers want to know “what works” and it is a tricky answer as what works for one person will completely block another. You have to find your own way into your story.
Are you part of a critique group?
I used to belong to a writer’s group that met on a monthly. Eventually due to people’s schedule the group disbanded. I now belong to an online writer’s critique group where we post scenes. I also use a group of early readers made up of both writers and readers to critique my draft. When I have a manuscript ready to go I pass it out to all of them and collect their comments before heading into the final revision stage.In addition to getting feedback, I think it is important for writers to give feedback. It can sometimes be easier to pick apart someone else’s writing, looking at what works and what doesn’t work because you aren’t involved in the story. Once you can see it in someone else’s writing it is easier to look at your own and see if you are guilty of the same mistakes. If you don’t have a regular group of writers that you meet with I often suggest people pick a favorite book and a book they disliked and go chapter by chapter looking at what happens in each scene, what’s the conflict, if they liked it why, if they didn’t why? I have them highlight lines that they liked or places where they felt the story was dragging. One thing that excites me about writing is how much there is to learn. No matter how long you’ve been writing there is always a way to improve. I’m a bit geeky this way.
You are absolutely hilarious. Were you the class clown?
My parents are both funny so it may be genetic. Growing up I was mortified at my parent’s jokes and I’m pretty sure during my teen years I tried to ban them from talking at all when my friends were around. I was a bit too shy to be the class clown, but I’m pretty sure my close friends saw me as the clown type. I’ve always tended to see things from a different angle that tends towards the humorous.
So, how'd you land Rachel Vater as your agent?
While writing Unpredictable I picked up a copy of Writer’s Digest that happened to have an interview with Rachel. I don’t recall what she said, but I remember thinking “she’s perfect for me!” I stuck the article on my bulletin board (complete with her picture) and whenever I found myself blocked I would remind myself that this fabulous agent was waiting for my masterpiece even though we had never communicated. Inside my head we were already a mean, lean writing team. I knew I wanted an agent I could connect with and who would take a career building approach to my writing.When I finished the book I sent off a query to Rachel. I was prepared to send it out to a long list of agents if needed, but she was my top choice. People are sometimes surprised when I tell them that I didn’t have any connections or family in the business. I was a slush pile find. I can’t imagine going through the publishing process without a strong agent in your corner and Rachel has been the perfect business partner for me.
What are you working on now?
I recently signed a contract with Simon Pulse (Simon and Schuster) and am really excited to be working on some young adult novels. I always loved reading and in the past couple years have started to read all the great stuff coming out these days in the young adult and middle grade market. I love Meg Cabot and would run away in a heartbeat to be her personal assistant if she would have me. The other area that I’ve tried out recently is writing screenplays. I’ve always been a huge movie buff and when Unpredictable was optioned by New Line I wanted a chance to write the script. For some reason the studio didn’t want someone who had never written a script before to do the job- go figure. I took some classes and am really interested in how the format is so different than novels. Scripts have to be much tighter as you typically only have 90-120 pages and the story has to be told in all action and dialog.
What is your favorite cookie?
I can pick just one favorite? Of course I am coming off the post Christmas cookie butter and sugar hangover where I made all the cookies that you never make any other time of the year. If had to pick one favorite I would go with the traditional standby of chocolate chip. I add a touch a cinnamon in mine as the secret ingredient. Shhh don’t tell anyone.
Happy Valentine's Day, Eileen! We wish you loads of Belgium chocolate (yes, we know you love it), wheelbarrows full of chocolate chip cookies and, most of all, great big humungous book sales!

